Movie 4 Junkies 2: Apr 19, 2007

Letters From Iwo Jima

After bringing the story of the American soldiers who fought in the battle of Iwo Jima to the screen in his film Flags of Our Fathers, Clint Eastwood offers an equally thoughtful portrait of the Japanese forces who held the island for 36 days in this military drama. In 1945, World War II was in its last stages, and U.S. forces were planning to take on the Japanese on a small island known as Iwo Jima. While the island was mostly rock and volcanoes, it was of key strategic value and Japan's leaders saw the island as the final opportunity to prevent an Allied invasion. Lt. General Tadamichi Kuribayashi (Ken Watanabe) was put in charge of the forces on Iwo Jima; Kuribayashi had spent time in the United States and was not eager to take on the American army, but he also understood his opponents in a way his superiors did not, and devised an unusual strategy of digging tunnels and deep foxholes that allowed his troops a tactical advantage over the invading soldiers. While Kuribayashi's strategy alienated some older officers, it impressed Baron Nishi (Tsuyoshi Ihara), the son of a wealthy family who had also studied America firsthand as an athlete at the 1932 Olympics. As Kuribayashi and his men dig in for a battle they are not certain they can win — and most have been told they will not survive — their story is told both by watching their actions and through the letters they write home to their loved ones, letters that in many cases would not be delivered until long after they were dead. Among the soldiers manning Japan's last line of defense are Saigo (Kazunari Ninomiya), a baker sent to Iwo Jima only days before his wife was to give birth; Shimizu (Ryo Kase), who was sent to Iwo Jima after washing out in the military police; and Lieutenant Ito (Shidou Nakamura), who has embraced the notion of "Death Before Surrender" with particular ferocity. Filmed in Japanese with a primarily Japanese cast, Letters From Iwo Jima was shot in tandem with Flags of Our Fathers, and the two films were released within two months of one another.

Pan's Labyrinth

Mexican filmmaker Guillermo del Toro returns to the phantasmagorical cinema that defined such early fare as Cronos and The Devil's Backbone with this haunting fantasy-drama set in the aftermath of the Spanish Civil War and detailing the strange journeys of an imaginative young girl who may be the mythical princess of an underground kingdom. Her mother, Carmen (Ariadna Gil), recently remarried to sadistic army captain Vidal (Sergi López) and soon to bear the cruel military man's child, shy young Ofelia (Ivana Baquero) is forced to entertain herself as her recently-formed family settles into their new home nestled deep in the Spanish countryside. As Ofelia's bed-ridden mother lies immobilized in anticipation of her forthcoming child and her high-ranking stepfather remains determined to fulfill the orders of General Francisco Franco to crush a nearby guerilla uprising, the young girl soon ventures into an elaborate stone labyrinth presided over by the mythical faun Pan (Doug Jones). Convinced by Pan that she is the lost princess of legend and that in order to return to her underground home she must complete a trio of life-threatening tasks, Ofelia sets out to reclaim her kingdom and return to her grieving father as Vidal's housekeeper Mercedes (Maribel Verdú) and doctor (Alex Angulo) plot secretly on the surface to keep the revolution alive.

The Last King of Scotland

The Prestige

Obsession, jealousy, and deceit define the tense relationship shared between two turn-of-the-century magicians in Memento and Batman Begins director Christopher Nolan's dizzying tale of sleight of hand. Rupert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) are London-based magicians of the highest order, both blessed with spectacular powers of deception and both cursed with unrelenting envy for one another's skills. When Alfred performs an awe-inspiring trick for which there seems no logical explanation, the friendly competition shared between the pair turns to deadly rivalry as the enraged Rupert determines to uncover his rival's deepest secrets. In the world of illusion, however, nothing is ever quite as it seems, and the rules of the physical world simply don't apply. Now, as bitter competition quickly begins to consume the souls of both performers, the firestorm birthed by their anger threatens to consume all who surround them. Michael Caine, Scarlett Johansson, and David Bowie co-star in a feature that finds director/screenwriter Nolan reuniting with brother and Memento story author Jonathan Nolan to adapt author Christopher Priest's original novel.

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Babel

The tragic aftermath of human carelessness travels around the world in this multi-narrative drama from filmmaker Alejandro González Iñárritu. Richard (Brad Pitt) and Susan (Cate Blanchett) are a couple from the United States who have traveled to Morocco in Northern Africa on a vacation after the death of one of their children has sent Susan into a deep depression. Richard and Susan's other two children have been left in the care of Amelia (Adriana Barraza), their housekeeper. Amelia is originally from Mexico, and her oldest son is getting married in Tijuana. Unable to find someone who can watch the kids, or to obtain permission to take the day off, Amelia takes the children with her as she travels across the border for the celebration. Around the same time, in Morocco a poor farmer buys a hunting rifle, and he gives it to his sons to scare off the predatory animals that have been thinning out their goat herd. The boys decide to test the weapon's range by shooting at a bus far away; the shot hits Susan in the shoulder, and soon she's bleeding severely, while police are convinced the attack is the work of terrorists. In Japan, Chieko (Rinko Kikuchi) is a teenage deaf-mute whose mother recently committed suicide. This despairing, confused girl experiences such rage and frustration that she causes her volleyball team to lose a match, and later yanks her underwear off and begins exposing herself to boys in a crowded restaurant. Chieko's father then struggles to reach past the emotional distance which separates him and his daughter. Babel earned Alejandro González Iñárritu the prize for Best Director at the 2006 Cannes Film Festival.

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Altered

The Blair Witch Project co-creator Eduardo Sanchez returns to direct his first feature film since that 1999 forest-bound frightener that took the world of horror by storm with this shocker concerning a group of former alien abductees who seek vengeance against the malevolent extraterrestrials who kidnapped them fifteen years prior. It's been more than a decade since five hunters were swept out of the forest and into the night skies by a powerful otherworldly force, but only four of the lifelong friends ever found their way back to terra firma. In the wake of that inexplicable tragedy the remaining friends found their bond growing stronger than ever before. None of the men have ever forgotten about their long lost friend, or the trauma that they endured on that fateful night. Years later, upon capturing one of the very same creatures that caused all of their suffering, the four friends retreat into a remote forest compound to execute their long awaited revenge. To set the creature free would be to sign their own death warrants, and to kill it would almost certainly spell their doom as well. As the long night wears on and an impenetrable blackness once again washes over the darkened woods, the hunters realize that they only have a few hours left to decide the fate of the strange and menacing creature.

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Boogie Nights

While set within the milieu of the Los Angeles adult film industry, Boogie Nights is less a film about pornography than the serio-comic story of a group of misfits, losers, and lost souls who are embraced by Jack Horner (Burt Reynolds), a director who makes "adult films, exotic motion pictures." In 1977, while hanging out at a disco, Jack spots Eddie (Mark Wahlberg), the new busboy at the club, and tells him he's convinced "there's something wonderful inside those jeans waiting to get out." Jack knows his business well and his expert eye has not betrayed him; Eddie is a pornographer's dream — good looking, remarkably endowed, and willing and able to do as many takes as might be needed. The product of a woefully dysfunctional upbringing, Eddie is not terribly bright but is very ambitious and eager to prove he has a "special something" to share with the world. Eddie changes his name to Dirk Diggler and quickly becomes the biggest star in hardcore. Working alongside "Dirk" in Jack's films are Amber Waves (Julianne Moore), a porn actress who applies her misplaced maternal instincts to anyone who needs nurturing; Rollergirl (Heather Graham), a cheerful but blank-faced high school drop-out who never removes her roller skates; Reed Rothchild (John C. Reilly), a none-too-bright actor, aspiring magician, and failing songwriter; Buck (Don Cheadle), a black actor fascinated with cowboy iconography who wants to open a stereo shop; Scotty J (Philip Seymour Hoffman), a stocky and awkward soundman infatuated with Dirk; Little Bill (William H. Macy), Jack's assistant director, who has trouble dealing with his wife's brazen infidelity; and Colonel James (Robert Ridgely), Jack's backer, who has a weakness for young girls. In the brief, late-'70s moment when porn was chic and sex films seemed poised to break into the mainstream, Dirk becomes a star and Jack a respected name. But a few years later, drugs and pride have taken their toll on Dirk and many of his friends, while the advent of the VCR radically changes the adult movie business; Jack goes from being a "filmmaker" to manufacturing and wholesaling videocassettes, a wealthy but emotionally broken man. In his second film, wunderkind director Paul Thomas Anderson juggled a broad range of characters in a manner reminiscent of Robert Altman's ensemble films, making Boogie Nights a sad but funny story of a makeshift family of damaged people and what happens before and after their brief moment in the sun.

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Street Life

I feel like a GANG-STAR! or was it BANG-STAR!

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Sex Sells

The Mark Of Cain

Two English G.I.'s find themselves blamed for the widespread corruption of the War in Iraq in this timely drama. Mark (Gerard Kearns) and his friend Shane (Matthew McNulty) are a pair of British soldiers who are sent to Iraq, where they've been assigned duty as guards in a holding facility for Prisoners of War. While the official command is that the prisoners are to be treated with care and respect, Mark and Shane soon learn this isn't always the practice, and that it's considered a good thing to occasionally rough up prisoners so that their compatriots will understand not to get cross with the British. While incidents of violence and humiliation are the exception rather than the rule, that changes after the base commander is killed in a terrorist attack, and Corporal Gant (Shaun Dooley) decides the prisoners should pay for the acts of the Iraqi insurgents. Before long, random torture and abuse of the prisoners is commonplace, and when Shane returns home, he shows photos of his misdeeds to his girlfriend Shelly (Naomi Bentley). When Shelly learns that Shane has been unfaithful to her, she hands Shane's photographs of the abuse of prisoners to a reporter, and soon Shane, Mark and their comrades are at the center of an international scandal. The British military is willing to back Gant and his superiors who condoned the abuse, but they're not about to defend soldiers like Mark and Shane, and soon they've been made scapegoats for crimes they committed but did not instigate. The Mark of Cain won the "Movies that Matter" Award (a prize sponsored by the international human rights group Amnesty International) at the 2007 Rotterdam Film Festival.

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RS
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BOTH NO PASSWORD

The Departed

Legendary director Martin Scorsese takes the helm for this tale of questionable loyalties and blurring identities set in the South Boston organized crime scene and inspired by the wildly popular 2002 Hong Kong crime film Infernal Affairs. As the police force attempts to reign in the increasingly powerful Irish mafia, authorities are faced with the prospect of sending in an undercover agent or seeing their already frail grip on the criminal underworld slip even further. Billy Costigan (Leonardo DiCaprio) is a young cop looking to make a name for himself in the world of law enforcement. Collin Sullivan (Matt Damon) is a street-smart criminal who has successfully infiltrated the police department with the sole intention of reporting their every move to ruthless syndicate head Frank Costello (Jack Nicholson). When Costigan is assigned the task of working his way into Costello's tightly guarded inner circle, Sullivan is faced with the responsibility of rooting out the informer before things get out of hand. With the stakes constantly rising and time quickly running out for the undercover cop and his criminal counterpart, each man must work feverishly to reveal his counterpart before his identity is exposed by the other. Martin Sheen, Alec Baldwin, and Ray Winstone co-star, and writer William Monahan adapts a screenplay originally penned by Alan Mak and Felix Chong.

Stranger Than Fiction

A socially isolated IRS agent whose every move is documented by a disembodied female voice discovers that his life is the subject of a book currently being written by a best-selling author, whose creative block has stunted her repeated efforts to kill him off, in a quirky fantasy comedy written by Hollywood hot property Zach Helm and directed by Finding Neverland's Marc Forester. Harold Crick (Will Ferrell) lives a life of solitude. Kay Eiffel (Emma Thompson) can't seem to find a way to finish her latest book. Though Harold and Kay have never actually met, their fates are about to become intertwined in a most unusual manner. With her publishers growing increasingly impatient with her apparent inability to put the finishing touches on her latest novel, Kay is assigned a new assistant whose task it is to help provide the creative push needed to get her book finished and into the hands of her many eager fans. The subject of Kay's novel is a lonely and despairing IRS agent named Harold Crick, who believes that his life has lost any real meaning. As Kay continues to weave Harold's woeful tale without realizing that her protagonist is actually a living human being unable to concentrate on his life and career due to the constant interference of the narrator who inexplicably seems to anticipate his every move and read his every thought, her continued efforts to kill her perplexed subject finally provide him with the incentive needed to fully experience life by seeking out the source of the voice that plagues him. Penned by the screenwriter named by Variety magazine as one of the "Top Ten Writers to Watch" and who was also included in Esquire magazine's "Best and Brightest" list of 2004, Stranger Than Fiction features supporting performances by Maggie Gyllenhaal, Dustin Hoffman, and Queen Latifah.

An Inconvenient Truth

Former vice president Al Gore shares his concerns on the pressing issue of global warming in this documentary. A long-time environmental activist, Gore first became aware of evidence on global warming in the 1970s, and since leaving public office he has become a passionate advocate for large- and small-scale changes in our laws and lifestyles that could help alleviate this crisis. An Inconvenient Truth records a multi-media presentation hosted by Gore in which he discusses the scientific facts behind global warming, explains how it has already begun to affect our environment, talks about the disastrous consequences if the world's governments and citizens do not act, and shares what each individual can do to help protect the Earth for this and future generations. An Inconvenient Truth was directed by Davis Guggenheim, a veteran documentary filmmaker who also has an extensive background in episodic television.

Borat

Master of disguise Sacha Baron Cohen hits the road to explore America as the crude Kazakstani reporter Borat in a feature mockumentary that brings one of the Da Ali G Show star's most popular characters to life on the big screen. Sent by the Kazakh Ministry of Information to gain a better understanding of American culture and bring his findings back home, Borat and faithful producer Azamat (Ken Davitian) set their sights in New York City. When the citizens and interview subjects of the Big Apple seem less than receptive to Borat's distinctively unrestrained approach and the curious Kazakh television personality stumbles across an episode of Baywatch while channel-surfing in his hotel room, he becomes instantly smitten with screen siren Pamela Anderson. Now confident that the only way to discover the true essence of America is to travel to California and make the bikini-clad beauty his bride, Borat purchases a ramshackle ice-cream truck in which he and Azamat will make their way across the Great Plains and on to the sunny West Coast — all the while coming into contact with a wide variety of "typical" Americans. Within this loose, scripted framework, Borat engages in his usual misbehavior with unsuspecting strangers, from accidentally releasing a chicken from his suitcase on a New York subway ride to a formal interview with Alan Keyes.

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